Brunswick

Brunswick
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Monday, March 23, 2015

Life's Greatest Riddles


 From the very first,
How do we all begin?
Are we pure and good and wholesome
Or hiding dormant sin?

And the journey that we choose in Life,
That may follow the ‘road less traveled’,
Is nothing in the end but Fate—
A mystery unraveled;

So we aspire to be the learned scholar,
Perhaps a hidden foil;
For do we not lack the knowledge
Of the man who choose to toil?

And all the endless constraints,
That limit our boundless minds,
Do they diminish or grow stronger
With the ebbing flow of Time?

And with each new epiphany,
One finds a fresh new lease;
Yet aren’t we forever looking
For that one elusive piece?

So hours we ponder the inevitable—
How will it finally end?
Will we cross the finish line,
Or merely start over again?

Perhaps there is no reason
For all this battering about;
Do we ever truly know
What Life is all about?

Do we learn from our mistakes,
Or forever stumble anew?
Are the answers that we gallantly seek
Shared by the many or the few?

Perhaps there are some things
Of which we know are certain;
Key things we hope to cling to
Waiting for Life’s final curtain;

Empathy for things unknown,
And a purity of heart
Aren’t these but the rarest gifts
Of those who’ll soon depart?

Why yes, these are surely things
Which most of us possess;
But tell me where do the lonely go
In their time of great distress?

And towards the of Life,
We each make one final stand;
Is the mortal a true visionary—
Or the dreamer just a man?

Despair not—Love holds all the answers,
Or so we’ve all been told;
But will that make us completely whole
When we are feeble and quite old?

As so we continue to seek these truths,
Amidst the shifting sands of Time,
With only Life’s greatest riddles
For us to leave behind.


                                                                                             Jay Michael Perkins II

Tuesday, March 10, 2015

Monday night poetry drop in gismos

Slamming/loving

When I knew that your heart was true,
Your boyish eyes filled with my loving face, my shining hair,
My soft and tender soul was struck with ice
And slamming through the atmosphere,
I grew ten thousand years
as you reached out past me and took her hand,

The other third grade girl!

Noelie Angevine


Sunday, March 8, 2015

St. Patrick

Cheers to Irish Men -
Mothers, Sisters, Brothers of
Old; fuck St. Patrick.

Spring flowers

A language for romance;
an anthropic mistrust of
all that breathes.

The snow makes me curse
but it's melting is too sudden.
All this change.

I am not waiting

Tonight when I
think your name as I fall asleep,
it is not to call you to me.

It's just to hear the sound
and taste my need;
the measure of it. How it lessens
with each day. 

Saturday, March 7, 2015

Gumbo

She spills red wine with fish,
vulgar at the gills sucking air into her lungs.
The moment at birth a decision to breathe
at the cellular level, the ultimate solitude shattered
and rebuilt in pieces, interlocking pieces of plastic
to form castles and forts. Jewish mothers at temple
when who but Krishna in cut-offs shows up smelling of hashish?
The Sanskrit word for mother is the simultaneous act
of walking away from and towards.

How Kennedy ruined it for all grassy knolls,
relegated back to small round hills or green lumps of earth.
She stirs in sliced peppers and okra,
an incantation of gumdrops and primrose, a Choctow
chance of shifting flour and fat into roux.

An amoeba’s worth of guilt on the end
of a yo-yo discarded the day after Christmas.
We drink midday for clarity; we drink
in the evening to forget the viper
her fangs and so begins the handler’s
hollow tune of lull and scatter.

A throbbing at the front of the skull
where memories are formed. The one
where your grandmother arrived from California
and wouldn’t let go. The one
where your mother laid out your clothes
for Sunday school and you imagined a flat boy
in starched collars who might take your place.

Cowboys sleep outside so they don’t have to deal with the overhead.

As my Uncle Rodney would often tell the police officer
standing outside the driver’s side window, it’s your job
to police and not to debate the merits of taking my nephew
to the hospital after having a few drinks.
Two times charcoal needlessly pumped into my stomach
on the made-up suspicion of poison. One time,
the doctor’s fingers stuttered along my side for a Table of Contents.

Loneliness has a gravity, a contract and pull measured
in the hum of a refrigerator compressor, the start and stop
of the heat pump, and the back-flow gurgle
of drain pipes with high cholesterol and in grave
need of angioplasty.

I imagine the moment when they remove my skull cap
and begin the literal descent into madness
for a fibrous ball of yarn no bigger than my thumb
against your lips seeking moisture.
I imagine that moment, the glisten of neurons
and the gray platypus squeezed into a cantaloupe
so hard my fingers fight to form finger holes and bowl
it across the produce aisle and smack
into the dairy case. Not even a crack,
the doctor admiring his skill at the bone saw.
The top of my head on a stainless steel table beside me.
It is at this moment that I heard it, a mouse squeak
of a sneeze followed by a hushed evacuation
of the room, leaving one attendant adjusting the gas
so fog a thick of butter, and then awakening in my room.

They said I dreamed it but three courses of antibiotics to differ.
And when I went for my follow up I saw her
coming out of the break room, agitated and flustered
she walked away never looking back, never turning
into a pillar of salt.

I still have trouble with my T’s,
which is fine as I prefer coffee. The absurd
similarity between porno and rhino.
A seven-letter word for magistrate. “Asshole,”
Uncle Rodney ducking his head out of
the bathroom, a dollop of shaving cream and
a crescent wrench of a smile.

Van Gough as a child wiping finger paint onto
a makeshift smock, an old shirt of his father’s.
An uneasy bout of the flu followed by
the slow simmer of mental illness and what
we take as art was simply the literal sandbar
of a man taking on water.

A salamander on salary, a salad of
salami and rye. She took a milk crate
from the wall and set it against the table.
poured herself a glass until all that remained,
a cotton dress puddle on the floor.

At the settlement meeting I was asked
my sign. Uncle Rodney welling up inside me,
carbonated spheres of influence. Stop sign, I said.

Having established rapport with the neighborhood
raccoon, we came to an understanding.
A peanut butter sandwich on a paper plate means
leave the garbage can the fuck alone. As easily
as that, the ceasefire is over and a morning collecting
paper towels, egg shells, the occasional plastic tray
from a microwave dinner that I wonder is recyclable
but don’t bother to turn over to check.

A man on the street stops me, places his hands
on my wrists and stares at me through three layers
of urgency. He tells me they’ve taken the island of
Kuwait, the whole thing, they’ve taken the island of Kuwait
and put it in the Koran. A white rose from
some special occasion: Mother’s Day, wedding, simply
because he loves you but slept with her again.
An entire country, a white rose squeezed between
the pages of a book to be divined before the final
walk-through. What to keep, what to donate, the remainder
taken to a rented dumpster on the front lawn.

Your sign, the man across the table repeats and I realize
I have not answered. He repeats a third time,
annoyed at my lack of response. I stare
down at the swollen violins inside my shoes, the only

sound, the color okra knee-deep and rising.

- MK

Wednesday, March 4, 2015

Woman's Wrath

You think I'm not a goddess? Try me.*
Diana's bow could not pierce her mark,
More perfectly than my gaze when you displease me.
Vishnu's blade could not cut cleaner than my tongue,
when I speak of your failings.
Apollo's sun could not burn hotter than my rage,
when you turn your back.
You think I'm not a goddess?  Try me.*

JK

*I want to credit the line that gives the whole poem it's power, "You think I'm not a goddess?  Try me." to Margaret Atwood in her poem Helen of Troy Does Countertop Dancing.

Tuesday, March 3, 2015

The Sea's Chanty

When the new green wind cowls the waves into caves,
The ancient bones of ships and slaves,
Gleaming like iv’ry and rattling close,
Are sliding and nudging the floor of the sea.

Down to the deep,
Down to the deep,

Swept from our minds to scream and weep.

When the watery curls of bay and sand,
Slip into pools and cover the land,
The mist strides out from the fading dark.
She snatches the dawn and the moon in her hand.

Walks in the sand, 
Walks in the sand

She squeezes the colors away to grey, 
And sips and swallows the light of day. 

Noelie Angevine




Wrote with Lego Man over the weekend-- He sends a couplet:

I like to use my poetry time
To tell the truth and make it rhyme.

                                   Lego Man  age 7