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Saturday, March 7, 2015

Gumbo

She spills red wine with fish,
vulgar at the gills sucking air into her lungs.
The moment at birth a decision to breathe
at the cellular level, the ultimate solitude shattered
and rebuilt in pieces, interlocking pieces of plastic
to form castles and forts. Jewish mothers at temple
when who but Krishna in cut-offs shows up smelling of hashish?
The Sanskrit word for mother is the simultaneous act
of walking away from and towards.

How Kennedy ruined it for all grassy knolls,
relegated back to small round hills or green lumps of earth.
She stirs in sliced peppers and okra,
an incantation of gumdrops and primrose, a Choctow
chance of shifting flour and fat into roux.

An amoeba’s worth of guilt on the end
of a yo-yo discarded the day after Christmas.
We drink midday for clarity; we drink
in the evening to forget the viper
her fangs and so begins the handler’s
hollow tune of lull and scatter.

A throbbing at the front of the skull
where memories are formed. The one
where your grandmother arrived from California
and wouldn’t let go. The one
where your mother laid out your clothes
for Sunday school and you imagined a flat boy
in starched collars who might take your place.

Cowboys sleep outside so they don’t have to deal with the overhead.

As my Uncle Rodney would often tell the police officer
standing outside the driver’s side window, it’s your job
to police and not to debate the merits of taking my nephew
to the hospital after having a few drinks.
Two times charcoal needlessly pumped into my stomach
on the made-up suspicion of poison. One time,
the doctor’s fingers stuttered along my side for a Table of Contents.

Loneliness has a gravity, a contract and pull measured
in the hum of a refrigerator compressor, the start and stop
of the heat pump, and the back-flow gurgle
of drain pipes with high cholesterol and in grave
need of angioplasty.

I imagine the moment when they remove my skull cap
and begin the literal descent into madness
for a fibrous ball of yarn no bigger than my thumb
against your lips seeking moisture.
I imagine that moment, the glisten of neurons
and the gray platypus squeezed into a cantaloupe
so hard my fingers fight to form finger holes and bowl
it across the produce aisle and smack
into the dairy case. Not even a crack,
the doctor admiring his skill at the bone saw.
The top of my head on a stainless steel table beside me.
It is at this moment that I heard it, a mouse squeak
of a sneeze followed by a hushed evacuation
of the room, leaving one attendant adjusting the gas
so fog a thick of butter, and then awakening in my room.

They said I dreamed it but three courses of antibiotics to differ.
And when I went for my follow up I saw her
coming out of the break room, agitated and flustered
she walked away never looking back, never turning
into a pillar of salt.

I still have trouble with my T’s,
which is fine as I prefer coffee. The absurd
similarity between porno and rhino.
A seven-letter word for magistrate. “Asshole,”
Uncle Rodney ducking his head out of
the bathroom, a dollop of shaving cream and
a crescent wrench of a smile.

Van Gough as a child wiping finger paint onto
a makeshift smock, an old shirt of his father’s.
An uneasy bout of the flu followed by
the slow simmer of mental illness and what
we take as art was simply the literal sandbar
of a man taking on water.

A salamander on salary, a salad of
salami and rye. She took a milk crate
from the wall and set it against the table.
poured herself a glass until all that remained,
a cotton dress puddle on the floor.

At the settlement meeting I was asked
my sign. Uncle Rodney welling up inside me,
carbonated spheres of influence. Stop sign, I said.

Having established rapport with the neighborhood
raccoon, we came to an understanding.
A peanut butter sandwich on a paper plate means
leave the garbage can the fuck alone. As easily
as that, the ceasefire is over and a morning collecting
paper towels, egg shells, the occasional plastic tray
from a microwave dinner that I wonder is recyclable
but don’t bother to turn over to check.

A man on the street stops me, places his hands
on my wrists and stares at me through three layers
of urgency. He tells me they’ve taken the island of
Kuwait, the whole thing, they’ve taken the island of Kuwait
and put it in the Koran. A white rose from
some special occasion: Mother’s Day, wedding, simply
because he loves you but slept with her again.
An entire country, a white rose squeezed between
the pages of a book to be divined before the final
walk-through. What to keep, what to donate, the remainder
taken to a rented dumpster on the front lawn.

Your sign, the man across the table repeats and I realize
I have not answered. He repeats a third time,
annoyed at my lack of response. I stare
down at the swollen violins inside my shoes, the only

sound, the color okra knee-deep and rising.

- MK

4 comments:

  1. I like the mix of macabre and funny and pseudo-biographical and unsettling and funny. I (just me,now) like this kind of riff for the Slam. It reads at 5 minutes 25 seconds and could use the pruning shears anyway. We've got the Slam players listed so far in advance we might be able to do what Ellis has always wanted: provide print copies for the audience. I've got a fantasy of this one (or something like it) printed with some WTR art in the background, and read like a don't-try-to-follow-this-exactly riff with the really great lines, like "The Sanskrit word for 'mother'"... "An uneasy bout of flu.." I stare..." exaggerated to provide a backbone.
    Just me. Other opinions?

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  2. Primrose for childhood. White rose for pure love.

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  3. I really enjoyed reading this, and very awed. Thank you for sharing.

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